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Heather HaleyArtist Talk with pioneering videopoet Tom Konyves at Visible Verse Festival 2011

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On Nov. 5, 2011, Visible Verse Festival and Pacific Cinémathèque presented an ARTIST TALK with Tom Konyves, author of the newly released VIDEOPOETY: A Manifesto

In 1978, Tom Konyves coined the term âvideopoetryâ, a genre he pioneered as a member of the Montreal avant-garde group, the Vehicule Poets. His first videopoem was Sympathies of War, using slides, live performance and typed text on the screen. His most recent videopoem is All The Day Is Good For, a collaboration with his son, Alexander. Videopoems 1978-2004, is available on DVD (AM Productions, 2004). He initiated public poetry projects, such as Poesie En Mouvement (Poetry on the Buses 1979) and The Great Canadian Poetry Machine (Expo 86), curated Montrealâs first Concrete Poetry Exhibition (Vehicule Art, 1980) and gave numerous poetry performances, including In A Station of the Metro by Ezra Pound (1979) and Marie the Poem (1981). He wrote and performed Drummer Boy Raga: Red Light, Green Light (1979) a collaboration with most of the Vehicule Poets. He left Montreal for Vancouver, in 1983. He started up a video production facility, wrote and produced numerous TV programs, including the widely-broadcast documentary, To Return: The John Walkus Story (Global Totem Pictures, 2000). He now teaches Screenwriting 111 and Word and Image 165, a creative visual writing course at UCFV in Abbotsford, BC.


This movie is part of the collection: Community Video

Producer: Heather Haley
Audio/Visual: sound
Keywords: Visible Verse Festival; Tom Konyves; videopoetry; Heather Haley

Creative Commons license: Attribution-Noncommercial-No Derivative Works 3.0


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